Mural-Ariel-Rios-Marsh-1

Autor/Urheber:

Carol M. Highsmith

Shortlink:

https://dewiki.de/b/20ae23

Quelle:

Wikimedia Commons

Größe:

4356 x 2280 Pixel (6238510 Bytes)

Beschreibung:

Photograph of mural "Sorting the Mail" by Reginald Marsh at the Ariel Rios Federal Building, Washington, D.C.
Notes:

Date: 1936; dimensions: 6' 7" x 12' 6".
Photographed as part of an assignment for the General Services Administration.
Title, date and keywords from information provided by the photographer.
Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
Gift; Carol M. Highsmith; 2009; (DLC/PP-2009:083).
Forms part of: Photographs in the Carol M. Highsmith Archive.

More information at The Living New Deal
Mural information from the General Services Administration:

Like Alfred D. Crimi, whose murals are located on the same floor of the William Jefferson Clinton Federal Building, Marsh chose to depict the activities of the urban mailroom. Also like Crimi, Marsh made on-site preparatory sketches. He studied the railway mail service located under old Penn Station in New York, as well as the New York post office department building, observing the modern machinery, interviewing postal workers, and making sketches as they unloaded and transferred mail cargo. Marsh's depiction differs, though, from the easy interaction between men and machines portrayed in Crimi's mural, as well as the staid calm of the railway mailroom shown in a sketch for an unrealized mural by Regionalist artist Thomas Hart Benton. In contrast to these, Marsh's murals bring to life the frenzied energy of workers and their machines in what the New York Times called a "brilliant orchestration of labyrinthine structural rhythms."
In the mural's lower portion, muscular men lift and drag large bags of mail. Their varied skin tones and apparel indicate a diverse work force, and their physiques convey heroic strength and power. The upper portion of the fresco—rendered in shades of green, black, and white—showcases the machinery that moves the mail in all directions. Marsh's intricate composition and confident technique capture both the mechanization of systems and the importance of workers.

Kommentar zur Lizenz:

Dieses Werk stammt aus der Carol M. Highsmith Archive-Sammlung der Library of Congress. Laut der Bibliothek gibt es keine bekannten Copyright-Einschränkungen in der Verwendung dieses Werkes.
Carol M. Highsmith has stipulated that her photographs are in the public domain. Photographs of sculpture or other works of art may be restricted by the copyright of the artist.

Lizenz:

Public domain

Credit:

Dieses Bild ist unter der digitalen ID highsm.24949 in der Abteilung für Drucke und Fotografien der US-amerikanischen Library of Congress abrufbar.
Diese Markierung zeigt nicht den Urheberrechtsstatus des zugehörigen Werks an. Es ist in jedem Falle zusätzlich eine normale Lizenzvorlage erforderlich. Siehe Commons:Lizenzen für weitere Informationen.

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