Liste der griechischen Töpfer und Vasenmaler/A
Namentlich bekannte Künstler
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Nicht namentlich bekannte Künstler (Notnamen)
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Women, a youth and Eros. Apulian red-figured pelike, ca. 330–320 BC. From the Basilicata.
Autor/Urheber: Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Neck of an attic Late geometric IIb period Hydria decorated with a procession of Centaurs; Painter of Athens 894, ca. 720/700 B.C.; Museum of Cyclydic Art Athens Ch. Politis Collection 92.
Female heads and Eros figures are common features on the vases attributed to the Ascoli Satriano Painter. His real name is unknown, and he has been named after a northern Apulian town, where many of his vases have been found. Eros is depicted as a winged youth about to place a wreath as an offering on the "cippus" (pillar) in front of him.
Autor/Urheber: Marsyas, Lizenz: CC BY-SA 2.5
An hetaera and her client. Attic red-figured lekythos by the Painter of Athens 12778 (eponymous vase), ca. 460–450 BC. Found in Eretria. National Archaeological Museum in Athens, 12778.
Autor/Urheber: , Lizenz: CC BY 3.0
Ancient Greek pottery in the Archeological Museum of Bologna
Phlyakenszene: drei Männer (Gynmilos, Kosios und Karion) berauben einen Geizhals (Kharinos) in dessen Haus. A-Seite eines rotfigurigen paestanischen Kelchkraters, um 350-340 v. Chr. Aus Sant'Agata dei Goti.
Autor/Urheber: Alcestis Group, Lizenz: CC BY 2.5
Youth playing the flute and riding a dolphin. Red-figure stamnos, 360–340 BC. From Etruria.
Autor/Urheber: Caroline Léna Becker, Lizenz: CC BY 4.0
Autor/Urheber: , Lizenz: CC BY 3.0
Ancient Greek pottery in the Antikensammlung Berlin
Autor/Urheber: Aischines–Maler , Lizenz: CC BY 2.5
Draped youth holding a staff. Side A from an Attic red-figure lekythos.
Autor/Urheber: Marcus Cyron, Lizenz: CC BY-SA 3.0
Da ich derzeit nicht dazu komme, all meinen Bildbestand angemessen aufzubereiten, andererseits aber das material nicht sinnlos auf dem PC verkommen lassen will, habe ich mich entschlossen es mitsamt eventueller Begleittexte (die dann gelöscht werden sollten) quasi als Rohmaterial hochzuladen. Jeder ist herzlich eingeladen, Beschreibungen hinzuzufügen, Titel zu verbessern, Kategorisieren etc.
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Two sileni and a maenad. Side A from an Apulian (Tarentian?) red-figure calyx-krater, 380–370 BC.
Autor/Urheber: Marsyas, Lizenz: CC BY-SA 2.5
Familial scene in the gynaeceum. Attic red-figure lebes gamikos after the manner of the Ariadne Painter, ca. 430 BC. National Archaeological Museum in Athens, 1250.
Autor/Urheber: Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Da ich derzeit nicht dazu komme, all meinen Bildbestand angemessen aufzubereiten, andererseits aber das material nicht sinnlos auf dem PC verkommen lassen will, habe ich mich entschlossen es mitsamt eventueller Begleittexte (die dann gelöscht werden sollten) quasi als Rohmaterial hochzuladen. Jeder ist herzlich eingeladen, Beschreibungen hinzuzufügen, Titel zu verbessern, Kategorisieren etc.
Autor/Urheber: Andokides , Lizenz: CC0
Women celebrating the Adonia, festival of Adonis. Fragment of an Attic red-figure lebes gamikos (wedding vase), ca. 430-420.
Autor/Urheber: Dave & Margie Hill / Kleerup, Lizenz: CC BY-SA 2.0
Gryphon detail on Sarcophagus (Klazomenian, 480-470 BC) - Terracotta.
Autor/Urheber: José Luis Filpo Cabana, Lizenz: CC BY-SA 4.0
Cerámica de figuras rojas (British Museum). Procedente de Lucania (ca. 390-370 a.C.) atribuida al pintor de Anabates. Nike corona a un jinete vencedor.
Autor/Urheber: Picture: Marcus Cyron, Lizenz: CC BY-SA 3.0
Da ich derzeit nicht dazu komme, all meinen Bildbestand angemessen aufzubereiten, andererseits aber das material nicht sinnlos auf dem PC verkommen lassen will, habe ich mich entschlossen es mitsamt eventueller Begleittexte (die dann gelöscht werden sollten) quasi als Rohmaterial hochzuladen. Jeder ist herzlich eingeladen, Beschreibungen hinzuzufügen, Titel zu verbessern, Kategorisieren etc.
Autor/Urheber: Altenburg-Maler , Lizenz: CC0
Amycus bound by the Argonauts. Red-figure Lucanian hydria.
Autor/Urheber: , Lizenz: CC BY-SA 4.0
Dieses Bild zeigt ein Denkmal, das zum Kulturerbe Italiens gehört. Dieses Denkmal nimmt am Wettbewerb Wiki Loves Monuments Italia 2016 teil.
Autor/Urheber: Picture taken by Marcus Cyron (photo), Lizenz: CC BY-SA 3.0
Attisch-schwarzfiguriger Teller des Anagyrus-Malers; Gorgone; um 600/575 v. Chr.; Archäologisches Nationalmuseum Athen (19171)
Autor/Urheber:
Autor/Urheber: Zde, Lizenz: CC BY-SA 3.0
Hydria. A young man handing a victor´s wreath to another youth. (B: twi yiuths in cloaks.) Lucania, Acrobat Painter, late 4th century BC. NG Prague, Kinský Palace, NM-HM10 1892.
Fight scenes. Athens, ca. 750–725 BC (Late Geometric), found in the Dipylon cemetary.
Autor/Urheber: The Art Institute of Chicago, Lizenz: CC0
The Ampersand Painter (ancient Greek vase painter). Pyxis (Container for Personal Objects). 580–570 BCE. The Art Institute of Chicago. 1905.343a-b.
© Marie-Lan Nguyen / Wikimedia Commons, CC BY 2.5
King Arcesilas of Cyrenaica overseeing the packaging of silphium (the country's main source of income) into ships for export, a Spartan cylix, c. 580-550 B.C.
Exhibit in the Museo Gregoriano Etrusco - Vatican Museums.
(c) I, Sailko, CC BY-SA 3.0
Oinochoe del pittore di amsterdam, 600-575 ac ca.
© Marie-Lan Nguyen / Wikimedia Commons, CC BY 2.5
Autor/Urheber:
Youth at an altar. The youth is shown in an athletic context, indicated by the sponge suspended in the background. J.D. Beazley has attributed the composition here to the influence of the contemporary vase-painter Douris.
Ajas trägt den toten Achilleus. Seite B von einer schwartzfigurigen attischen Halsamphora, um 510 v. Chr. Aus Vulci.
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure kantharos type A
- description side A: Theseus fighting the amazon Andromache; name inscriptions: THESEUS, ANDROMACHE - side B: The amazon Alexandre fighting the Greek hoplite Phorbas; name inscriptions: A(L)EX(A)NDRE, PHORBAS - production place: Athens - painter: Alexandre Painter / Group (only two vases attributed, "may be by one hand" (Beazley) - period / date: classical, ca. 430-410 BC - material: pottery (clay) - height: 27,8 cm - findspot: Kameiros tomb F. 56 - museum / inventory number: London, British Museum Cat. Vases E 157 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 1213, 2
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Autor/Urheber: Klasse von Athen 581 , Lizenz: CC0
This vase is an exquisite example of the "Kerch" ware, distinguished by graceful poses, delicate details, gilding, and abundant colors. The subject is games of love. A seated nymph triumphs at "knucklebones," a game in which both players toss bones from the ankle of a sheep into the air and try to catch them on the back of their hand. Her unsuccessful opponent is a satyr. Behind him stands Aphrodite between two Eros figures, who are offering laurel wreaths of victory to the nymph and to the youth at far left, dressed as a bridegroom.
Autor/Urheber: Marcus Cyron, Lizenz: CC BY-SA 3.0
Apulisch-rotfigurige Pelike mit der Geburt der Helena aus dem Ei. Links Helenas Mutter Leda, rechts ein Hirte mit einem Stab, oben Eros mit einem Kranz; dem Maler von Athen 1680 zugeschrieben; Höhe 32,7 cm, Ton; um 360/50 v. Chr., Antikensammlung Kiel, Inventarnummer B 501 (Kat. Exempla Nr. 14).
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure cup (kylix)
- description interior: naked youth squatting beside a large pointed amphora - exterior: not decorated (black) - production place: Athens - painter: Group of Adria 300 - period / date: late archaic, ca. 510 BC - material: pottery (clay) - height: 8 cm; diameter (including handles): 22 cm - findspot: Gela - museum / inventory number: Kassel, Antikensammlung (Schloss Wilhelmshöhe) T 504 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 142, 5
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Autor/Urheber: User:Marcus Cyron, Lizenz: CC BY 3.0
Attisch-spätgeometrische Kanne wohl aus der Werkstatt von Athen 706, um 735-720 v. Chr.; Antikensammlung der Universität Gießen, Inventarnummer K III-3; Am Hals, auf der Schulter und unter dem Henkel stilisierte Wasservögel
Theseus und der Minotauros. Seite A von einer attischen rotfigurigen Stamnos, um 460 v. Chr.
Autor/Urheber: , Lizenz: CC BY 3.0
Museo archeologico di Firenze
Autor/Urheber: Marsyas, Lizenz: CC BY 2.5
Frau kniet vor einem Altar. Attisch-rotfigurige Schale des Malers der Agora-Chairias-Schalen. etwa 510/500 v. Chr., Agora-Museum Athen
Running hounds. Protocorinthian aryballos, ca. 650–620 BC. From Corinth.
Herakles and the Nemean lion. Black-figure lekythos worked by the Painter of Athens 581, ca. 500 BC. Museum of Cycladic Art in Athens.
Autor/Urheber: Velvet, Lizenz: CC BY-SA 3.0
Col de vase grec au Museo archeologico nazionale de Paestum (Italie).
Autor/Urheber: Rabax63, Lizenz: CC BY-SA 4.0
Der sogenannte Aristonothos-Krater aus Caere. Angefertigt im 7. Jahrhundert v. Chr.; ein Gefäß, in dem Wein gemischt wurde. Auf dieser Seite ist eine Seeschlacht zwischen einem Kriegsschiff und einem Handelsschiff dargestellt.
Late Geometric Attic amphora, ca. 725 CA–700 CA.
Triptolemus and Korē, tondo of a red-figure Attic cup, ca. 470 BC–460 BC, found in Vulci.
Autor/Urheber: Acheloos-Maler , Lizenz: CC0
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure pelike
- description side A: bearded man with stick and boy retreating, lifting his lyra in order to defend himself - side B: boy and bearded man talking, both draped - production place: Athens - painter: Aegisthus Painter - period / date: early classical, ca. 470-460 BC - material: pottery (clay) - height: 35,7 cm - museum / inventory number: Cambridge, Fitzwilliam Museum GR.26.1937 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 506, 21
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Autor/Urheber: shakko, Lizenz: CC BY-SA 3.0
Пиксида с изображением сцены приготовления к свадьбе. Сицилия, группа Адрано, 330-320 гг. до н.э. Глина, лак, белая, голубая, желтая краска, ГМИИ, инв. II 1, 510. Skyphoid pyxis - "Wedding preparation", Sicilia, the Adrano Group, 330-320 BC. Clay, glaze, added white, blue, yellow. Pushkin museum, Moscow
Autor/Urheber: , Lizenz: CC BY 3.0
Etruscan art in the Museo archeologico nazionale (Florence)
Autor/Urheber: unknown (picture), Lizenz: CC0
Attisch-rotfigurige Pelike mit der Darstellung von Boreas der Oreithyia entführt, angeblich aus Ceverteri; heute im Museum für Kunst & Gewerbe Hamburg, Inventarnummer 1980 (Geschenk von Herbert Joost, Hamburg).174; dem Maler der Athenageburt zugeschrieben (Donna Carol Kurtz; Martha Ohly-Dumm); Ton, um 460 v. Chr. (Strenger Stil); Inschrift: Gefäßschulter zwischen den Henkeln auf Seite A und B: Seite A: ΣVΘΙΝΑ (linksläufig) ΒΟΡΕΑΣ ΟΡΙΕΙΘΥΑ (rechte Bildhälfte, oben) Seite B: ΣVΘΙΝΑ (linksläufig); Gesamt: Höhe: 47,50 cm (ergänzt); Durchmesser: 35,00 cm; Mündungsdurchmesser: 19,30 cm
Here, three women carry offerings, a mirror, and a tambourine in preparation for a ritual. This scene is much more carefully executed than the one on the opposite side, which shows three youths with mantles wrapped completely around their bodies. Groups of two or three youths often appear on the backs of theses vases, and these scenes are usually inferior to those on the front. Depictions of small groups of people holding various objects are common on vases attributed to this painter, who combines Apulian elements with Campanian features, like the use of white to represent female skin.
Weiblicher Kopf. Apulischer rotfiguriger Skyphos, um 340 v. Chr.
Autor/Urheber: Sailko, Lizenz: CC BY-SA 4.0
Dieses Bild zeigt ein Denkmal, das zum Kulturerbe Italiens gehört. Dieses Denkmal nimmt am Wettbewerb Wiki Loves Monuments Italia 2017 teil.
Autor/Urheber: Picture: Marcus Cyron, Lizenz: CC BY-SA 3.0
Da ich derzeit nicht dazu komme, all meinen Bildbestand angemessen aufzubereiten, andererseits aber das material nicht sinnlos auf dem PC verkommen lassen will, habe ich mich entschlossen es mitsamt eventueller Begleittexte (die dann gelöscht werden sollten) quasi als Rohmaterial hochzuladen. Jeder ist herzlich eingeladen, Beschreibungen hinzuzufügen, Titel zu verbessern, Kategorisieren etc.
Autor/Urheber: Object: Painter of Athens 877; Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Spätgeometrischer Krater (Namenvase) des arivischen Malers von Athen 877, um 730 bis 690 v. Chr.; gefunden auf Melos. Das zentrale Bild zeigt einen Mann und zwei Pferde. Heute im Archäologischen Nationalmuseum von Athen, Inventarnummer 877.
Autor/Urheber: David Liam Moran (= User:One dead president), Lizenz: CC BY-SA 3.0
Theseus expelling the Minotaur out of the Labyrinth, flanked by Nike and Ariadne. Attic red-figure column-krater attributed to the Alkimachos Painter, c. 460 BC. Metropolitan Museum of Art (New York), Inv. 56.171.46.
Reitende Amazone. Seite B von einer attischen rotfigurigen Halsamphora, um 420 v. Chr.
Autor/Urheber: , Lizenz: CC0
Eine Muse mit Wiegenkithara sitz auf einem Felsen, der rechts als Helikon (ΗΛΙΚΟΝ / Hēlikon) bezeichnet wird. Attisch weißgrundige Lekythos, 440-430 v. Chr.
Autor/Urheber: Antiphon-Maler, Lizenz: CC BY 2.5
Junger Athlet mit Binde im Haar und Sprunggewichten in den Händen. Im Hitergrund die Tasche für den Diskus und zwei Wurfspeere. Innerseite von einer attischen rotfigurigen Kylix, um 490 av. J.-C. Aus Vulci.
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure kantharos type A
- description side A: Theseus fighting the amazon Andromache; name inscriptions: THESEUS, ANDROMACHE - side B: The amazon Alexandre fighting the Greek hoplite Phorbas; name inscriptions: A(L)EX(A)NDRE, PHORBAS - production place: Athens - painter: Alexandre Painter / Group (only two vases attributed, "may be by one hand" (Beazley) - period / date: classical, ca. 430-410 BC - material: pottery (clay) - height: 27,8 cm - findspot: Kameiros tomb F. 56 - museum / inventory number: London, British Museum Cat. Vases E 157 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 1213, 2
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Autor/Urheber: Picture taken by Marcus Cyron (photo), Lizenz: CC BY-SA 3.0
Lakonisch-schwarzfigurige Kylix wohl des Allard-Piersen-Malers; Junger Mann mit Schwert und Schild kämpft gegen einen Löwen; aus Sorrento; um 550/540 v. Chr.; Archäologisches Nationalmuseum Athen (20063)
Dionysos and Ikarios. Attic black-figured amphora, ca. 540–520 BC. From Vulci.
Urteil des Paris. Seite A von einer schwartzfigurigen attischen Hydria, um 510 v. Chr. Aus Vulci.
This red-figure column-krater depicts the komos on both the front and back.
On the front left is a youth with a chlamys draped around his shoulders and a wreath around his head. He stands to the right holding in his left hand a lyre with a sash hanging from it; he leans on a staff held in the right hand. In front of him another youth with a chlamys draped in a similar fashion moves left, looking around. He carries a staff in his left hand diagonally across his chest, and with the right he manipulates his genitals. Next is a youth who stands to the right playing a barbiton from which a sash hangs. He holds the plectron in his right hand; the fingers of his left rest on the strings. A chlamys is draped over his left shoulder; he wears a thick fillet. In front of him stands a fourth youth who moves to the left, an oinochoe in his right hand, a kylix in his left. A chlamys is draped around his shoulders, and he wears a wreath.
On the back left is a mantled youth with a fillet who moves right, a kylix in his raised left hand and a staff in the right held diagonally across his lower body. His pursed lips and closed eye suggest that he is engrossed in song. In the center another mantled youth moves left. He holds a staff in his right hand over his shoulder, and tilts his head back as if also in song. On the right a third mantled youth moves left. He holds up an oinochoe in his right hand, and a skyphos in his left.Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure alabastron
- description side A: woman (hetaira) sitting on a stool, spinning, youth in mantle standing before her holding a hare (as a present); inscription: HE PAIS KALE - side B: girl embracing young man - production place: Athens - potter: Atitas, signed on the topside of the mouth: ATITAS EPOIESEN - painter: not attributed (Group of the Paidikos Alabastra) - period / date: late archaic, ca. 510-500 BC - material: pottery (clay) - findspot: Athens, Kerameikos, children´s tomb in the southern tumulus (Nr. 12) HW 198 - museum / inventory number: Athens, Kerameikos Archaeological Museum 2713 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), Para 331 to be placed at the foot of page 101 of ARV
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure cup (kylix)
- description interior: warrior with spear pouring an offering from a phiale onto an altar, his shield leans behind him - exterior side A: 2 young warriors leaving their mother, who holds a shield - side B: old man with phiale seated, woman with oinochoe, bearded man with sceptre and phiale ("king"), woman(?) with lyra - production place: Athens - potter: Three-edge Class - painter: Painter of Agora P 42 - period / date: late archaic, ca. 480 BC - material: pottery (clay) - findspot: Athens, Ancient Agora - museum / inventory number: Athens, Ancient Agora Museum P 42 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 415, 1
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Autor/Urheber: Amazon Painter , Lizenz: CC0
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure mug shape 8C
- description: young athlete with strigilis standing at stele (over which hang his clothes) in the palaestra - production place: Athens - painter: Akestorides Painter - period / date: early classical, ca. 460 BC - material: pottery (clay) - height: 11 cm - museum / inventory number: Cambridge, Fitzwilliam Museum GR.37.1937 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 782, 13
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.Chryses attempting to ransom his daughter Chryseis from Agamemnon. Side A of an Apulian red-figure volute-crater, ca. 360 BC–350 BC, found in Taranto.